"I’m not J.J. Abrams, who’s ultimately responsible. I’m just his Asian puppet. Which, by the way, is also the title of my autobiography."

John Cho (x)

yo my heart is racing at the guts it takes to say something like this knowing full well what could happen. damn!!!!

(via strugglingtobeheard)

(Source: itreallyisthelittlethings, via herecomesthemouth)

Spring Fayre prizes. That rum (63%) has trouble written all over it.

Spring Fayre prizes. That rum (63%) has trouble written all over it.

After interviewing many doctors, I have concluded that there are three reasons they are more likely to recommend an oopherectomy than a mastectomy. First, it is because they are men, usually, and they have been taught by men – always – and work in male-dominated institutions. They believe breasts are essential to femininity and the suggestion of removing them is an insult at best. Second, it is because doctors tend to confuse the surgery itself with its consequences: an oopherectomy is a quick and easy surgery with a short recovery time, while a mastectomy with reconstruction is the opposite. The third culprit is the compartmentalisation of medicine: cancer specialists think only about lowering the risk of cancer – and not about the rising risk of heart disease, stroke, or depression

Great African-American stars who can command major theatre and film roles in successful international projects are not uncommon: James Earl Jones, Denzel Washington, Halle Berry, Whoopi Goldberg and Jamie Foxx, to name just a few. We on the other side of the Atlantic are confined by our smaller industry, it’s true, and many actors of whatever colour have found success in the US that had eluded them here. But ifChiwetel EjioforSophie OkonedoDavid HarewoodMarianne Jean-Baptiste and Idris Elba had to leave these shores to make their name, then surely something must not be right about the UK’s distribution of roles.

Finally, it cannot be a coincidence that we had a year of great period dramas and a dearth of black talent represented in the subsequent awards. As I know from my own experience, I may have the skill and the training to wield, say, a Brontë hero’s finely turned phrases, but it’ll be a cold day in hell when I’m even in the room for the Mr Darcy auditions.

Late night calippo dreams.

Late night calippo dreams.

Beyoncé’s Art History: are you ready for this jelly? – in pictures

The best one, click through for the rest.

Beyoncé’s Art History: are you ready for this jelly? – in pictures

The best one, click through for the rest.

Tags: Beyonce art

Big K.R.I.T - Serve this Royalty.

Still listening to this, so good.

My mum always finds it odd when I say I’m going to the cinema by myself, so she decides she’s coming with me to see a film she has no interest in.

Mum’s are cool.

The UK, he says, is “one of the clearest expressions of how austerity kills”. Suicides were falling in this country before the recession, he notes. Then, coinciding with a surge in unemployment, they spiked in 2008 and 2009. As unemployment dipped again in 2009 and 2010, so too did suicides. But since the election and the coalition government’s introduction of austerity measures – and particularly cuts in public sector jobs across the country – suicides are back.

Ministers seem unwilling to address the increase in suicides, arguing it is too early to conclude anything from the data. Stuckler points out that this is because the Department of Health prefers to use three-year rolling averages that even out annual fluctuations. But based on the actual data, he is in no doubt. “We’ve seen a second wave – of austerity suicides,” he says. “And they’ve been concentrated in the north and north-east, places like Yorkshire and Humber, with large rises in unemployment. Whereas London … We’re now seeing polarisation across the UK in mental-health issues.”

"In the original Trek, Khan, with his brown skin, was an Übermensch, intellectually and physically perfect, possessed of such charisma and drive that despite his efforts to gain control of the Enterprise, Captain Kirk (and many of the other officers) felt admiration for him.

And that’s why the role has been taken away from actors of colour and given to a white man. Racebending.com has always pointed out that villains are generally played by people with darker skin, and that’s true … unless the villain is one with intelligence, depth, complexity. One who garners sympathy from the audience, or if not sympathy, then — as from Kirk — grudging admiration. What this new Trek movie tells us, what JJ Abrams is telling us, is that no brown-skinned man can accomplish all that. That only by having Khan played by a white actor can the audience engage with and feel for him, believe that he’s smart and capable and a match for our Enterprise crew."

Marissa Sammy on Star Trek: Into Whiteness.

perfect commentary which parallels what Rawles was saying earlier about the possibility of Moriarty being a person of color

  • “…The actual issue is that black people aren’t often allowed to play full and complete characters, and an antagonist who isn’t unintelligent, thuggish cannon fodder is just as much of a rarity for black men as the stubbly hero who saves the world or wtfever. “
  • “…The stereotype in no way intersects with brilliant geniuses who choose to step outside of the boundaries of society in order to exercise their intellect while having no concern for lesser beings.

    Or to break it down further: the problematic stereotype regarding black people is that of being, in essence, subhuman. Characters of the Moriarty (and Holmes) archetype are rooted in being superhuman.”

You see? It’s more complicated than “people of color get typecast as villains.”

Black people get typecast as an extremely specific type of villain - they’re thugs, brutish and animalistic. South Asian actors are similarly typecast as scary oppressive (usually coded Muslim) terrorists.

But when your villain is of the superhuman archetype? When they’re brooding antiheroes, when they’re nuanced, when they’re multi-faceted?

They’re white.

(And check out this post on the glorification of white criminality in shows like Dexter, Breaking Bad, Weeds, Boardwalk Empire, The Sopranos, etc.)

(via herecomesthemouth)